PRE SHOW
PRIVATE VIEW
DOMESTIC SPACE MEETS ART GALLERY
Saturday, 31 July 2010
HANA YUN
Hana Yun
Title of work: mixed space
Medium: car wheel, plastic bag, mixed media on paper
Dimensions: 2 & 3
Price: £200
Synopsis: It's about composition. Beneficial living is very rare case. I made it for a purpose which is creating a harmonic environment around us. machine, animal, human being, plastics and space. The type of mixture which is made up is only I can imagine as ideal symbiotics.
Title of work: mixed space
Medium: car wheel, plastic bag, mixed media on paper
Dimensions: 2 & 3
Price: £200
Synopsis: It's about composition. Beneficial living is very rare case. I made it for a purpose which is creating a harmonic environment around us. machine, animal, human being, plastics and space. The type of mixture which is made up is only I can imagine as ideal symbiotics.
NATASHA WHITTLE
Natasha Whittle
Title of work: Between You and Me II
Medium: Copper, chemicals
Dimensions: 50cm x 50cm
Price: £500
Natasha Whittle
Title of work: Between You and Me
Medium: Copper, chemicals
Dimensions: 5cm x 5cm
Price: £50
Synopsis: My work looks at the relationship between choice and chance, consciousness and the inevitable impossibility of ever truly controlling outcome.
Natasha Whittle
Title of work: Untitled
Medium: Archival Inkjet Print
Dimensions: 16 x 12 inch
Price: £150
Title of work: Between You and Me II
Medium: Copper, chemicals
Dimensions: 50cm x 50cm
Price: £500
Natasha Whittle
Title of work: Between You and Me
Medium: Copper, chemicals
Dimensions: 5cm x 5cm
Price: £50
Synopsis: My work looks at the relationship between choice and chance, consciousness and the inevitable impossibility of ever truly controlling outcome.
Natasha Whittle
Title of work: Untitled
Medium: Archival Inkjet Print
Dimensions: 16 x 12 inch
Price: £150
POPPY VEALE
Poppy Veale
Title: A LIFE IN COLOUR
Medium: Mixed media and body art
Dimensions: N/A
Price: goggles for £45-50
Synopsis: The work displays a visual representation of the therapist to patient dynamic. The goggles overhead represent the therapist, spectator and authoritarian presence; whilst the white model represents humanity in its most naive form, uncoloured by life experience. The pigments thrown onto the model are characteristic of the various voices/ opinions/ experiences that are thrown at us throughout our lives; both discoloring and at the same time beautiful. Thus it is the therapist's task to wade through these colours, discussing the detrimental and nurturing the beneficial until the paitent can distinguish a confident sense of self, accepting the colours 'he' now wears.
Title: A LIFE IN COLOUR
Medium: Mixed media and body art
Dimensions: N/A
Price: goggles for £45-50
Synopsis: The work displays a visual representation of the therapist to patient dynamic. The goggles overhead represent the therapist, spectator and authoritarian presence; whilst the white model represents humanity in its most naive form, uncoloured by life experience. The pigments thrown onto the model are characteristic of the various voices/ opinions/ experiences that are thrown at us throughout our lives; both discoloring and at the same time beautiful. Thus it is the therapist's task to wade through these colours, discussing the detrimental and nurturing the beneficial until the paitent can distinguish a confident sense of self, accepting the colours 'he' now wears.
RAJEE SUKUMARAN
Rajee Sukumaran
Title of work: studies for hollow shack
Medium: oil
Dimensions: various
Price: available on request
Synopsis: There is a twist in relationships between the animal subjects and their environments. It tries to address the issues of humans slowly consuming animal habitats and the animals in turn stumbling upon our own, whether through accident or choice. The ever increasing 'symbiotic' relationship between humans and animals.
Title of work: studies for hollow shack
Medium: oil
Dimensions: various
Price: available on request
Synopsis: There is a twist in relationships between the animal subjects and their environments. It tries to address the issues of humans slowly consuming animal habitats and the animals in turn stumbling upon our own, whether through accident or choice. The ever increasing 'symbiotic' relationship between humans and animals.
HARRIET STRIPLING
Harriet Stripling
Title of work: Untitled
Medium: 0.3 HB pencil
Dimensions: Spirograph size
Price: Please contact the artist to discuss
Synopsis: Series of geometric drawings.
Title of work: Untitled
Medium: 0.3 HB pencil
Dimensions: Spirograph size
Price: Please contact the artist to discuss
Synopsis: Series of geometric drawings.
EDWARD SIMPSON
Edward Simpson
Title of work: Method one: springs x2
Medium: Performance
Title of work: Method one: springs x2
Medium: Performance
Dimensions: n/a
Price: n/a
Synopsis: composition exploring the relationship between performer and instrument.
Synopsis: composition exploring the relationship between performer and instrument.
VANESSA SCULLY
Vanessa Scully
Title: Mutualistic, Commensal and Parasitic Relations
Medium: Relational Aesthetics/ Contractual Agreement
Dimensions: N/A
Price: N/A (Please speak to artist for performance/ video commissions etc)
Synopsis: An interactive live art event which allows the participant to decide what type of relation they wish to enter into with the artist.
LIL S
Lil S
Title of work: Nadir, my dear...
Medium: coloured pencil on Fabriano Accademia paper
Dimensions: 54 x 43 cm framed
Price: £250 (framed)
Synopsis:
Nadir, as Lil's therapist, has been performing a mentor-like role.
J.ROBIER
J.Robier
Title: Pinkification
Medium: latex, paint, found objects
Dimensions: various (toothbrush, fork, toilet roll, shoes, free standing picture frame, chair)
Price: all £50 each, chair £200
J.Robier
Title: Magical Slag
Butterfly Bitch
Cupcake Cunt
Whore Hearts
Sunshine Slut
Medium: Glass, paint.
Dimensions: various, not more than 5" x 5"
Price: £30 each (Magical Slag not for sale)
Synopsis: Work addresses the concern of media and marketing's lucrative exploitation of 'pink' which reinforces stereotypical gender roles to the detriment of the consumer.
SATYEN RAM
Satyen Ram
Title of work: Nicotiana 1-4
Medium: Collage and Ink
Dimensions: 14.8 × 21 cm (Series of 4)
Price: £50 each
Synopsis: My work is about the symbiotic relationship of smokers with tabacco companies. Smokers through addiction need the companies to produce cigarettes / tabacco, and the companies also need a market of smokers to sustain or increase profits.
ANN-MARIE JOHNSON
Ann-Marie Johnson
Title: You think but you’re not
Medium: Clingfilm, sello tape, clothes, shoes, birdcage, fishwire, newspapers
Dimensions: 142.7 L/ 124 W/ 53 D
Price: N/A
Synopsis: We have been told to discipline our life 'do this', 'do that,don't do that', thousands of 'shoulds' and 'should nots' have been imposed on us and because of this we cannot be clear, we become imprisioned by them.
OHURIN HURIN
Ohurin Hurin
Title of work: The Servant
Medium: Velvet, glass plate, goat's skull, table, hand stitch
Dimensions: 32 x 50 x 59 cm
Price: NFS
Synopsis:
the servant
there is an echo of a dream
at the back of my mind
cement in powder
the wrong line
not much bread
to fill a mouth
less water yet
to feed the shout
gruesome latitude
an overflow of wrongness
the open legs of servitude
a genesis of boldness
he left never to come back again
and I'm here still trying
to remember his name
JASON FILE
Jason File
Title: The End of Painting
Medium: Screen print on canvas
Dimensions: 42cm x 29.7cm
Price: 110 GBP
Synopsis: This is a screen print of a computer program in the BASIC computer language, which was popularised in the late 1970s and early1980s. If executed, this program would theoretically cause a computerto print an infinite number of pages with the same statement inquotations. With this work, the artist explores the symbioticrelationship between man and computers as exemplified by theincreasing use of digital means of production in artistic creation.The work could potentially be viewed, however, as subverting theargument frequently voiced by critics that "painting is dead" bydepicting a program that would make this point endlessly, whilesimultaneously incorporating a pun that asks the viewer to enquirewhat is the "end" or "purpose" of painting.
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